Ben Myers, author of PIG IRON says about NOD, 'Think WARRIORS, the film, scripted by JG Ballard with excerpts from Ray Bradbury.' KING CROW author Michael Stewart says the first chapter of NOD is one of the best openings of any book he's ever read. He went on to say he loved every single page of it.
I know they are both Bluemoose authors, but we haven't paid them anything and they have their own minds; that's why they came to an Indy in the first place. Just think if Mr Amis hadn't pursued the dollar, he'd have won the Booker by now! Heaven forfend.
We're flying Adrian Barnes over from Vancouver for the launch and a series of events and signings at Independent booksellers and Waterstones. Adrian will also be giving lectures at a couple of Universities too. More of that nearer the time.
Now its time to send off review copies to the great and supposed good of what was FLEET STREET. The broadsheets in the Metropolis. Scott pack, ex chief fiction buyer at Waterstones and now publisher and blogger at meandmybigmouth, said of one of our previous titles, THE ART OF BEING DEAD, that it wouldn't get any reviews in the literary press because 'The lit editors don't look further than the ends of their noses.' THE ART OF BEING DEAD is now a set text on the MA course in Contemporary literature at Leeds Metropolitan University.
Now that there are three books from small independents on The Man Booker shortlist, perhaps they won't bin all books from publishers whose colophon they don't recognise. Hopefully they've learned their lesson and realise that all the exciting literary fiction these days is coming from small Independents.
Tired of McEwan, Barnes, Faulks et al. and all those sixty-something males that get all the review coverage? Yep, me too. The Indies are coming "darn sarf" to rattle the cages of the literary establishment and in NOD by Adrian Barnes I really believe we have a title that will stir things up a tad.
No comments:
Post a Comment
What do you think?